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Decolonising Memory: Digital Bodies in Movement is a UKRI-funded Citizen Science* project.
The project researched Bristols memory of transatlantic enslavement through historical and creative methodologies, and collaboratively design new performance-based memorial interventions centering around African culture.
The project included a series of monthly workshops starting in November 2021 and running through to summer 2022, culminating in dance-based memorials created by the project team which anyone will be able to view through an augmented reality app.
The project has three phases, though all three will work interdependently, feeding ideas and inspiration back and forth and into each other.
Phase One identified and researched sites of memory in relation to Bristol and transatlantic enslavement through historical and creative research methods.
These sites of memory, as identified by the project team will focus on places around the city that are associated with Bristol and enslavement.
They might be connected to specific historical events, be created through a layering of stories over time, be existing memorial sites which commemorate this history, sites of resistance, antislavery and challenge historically and now or be contested places of debate and tension or which jar with us in the present day, for example through sites which celebrate enslavers, where the project will seek to intervene with new creative memorialization.
Phase Two responded to and developed this research through collaborative work drawing on practice-led creative interventions with a focus on dance and movement.
This practice-led work will form both part of the research process into the deeper meaning of these sites and build towards the design of new memorial dance pieces, creating new performance-based memorials which draw on African diaspora dance culture to dialogue, counter and intervene in these sites.
Project members explored the significance of dance in relation to the history of enslavement, African-centred creative expression and dance as a medium of healing.
In this way the project aimed to collaboratively design a new folk dance for Bristol.
Phase Three bought this collaborative research together through the creation and sharing of memorial performances via an augmented reality app developed and Directed by The Cultural Assembly in collaboration with Digital Technologists, FENYCE.
The dance performances will be recorded against the sites identified and researched by project members and will be able to be viewed for free by anyone through a smartphone.
The project researched Bristols memory of transatlantic enslavement through historical and creative methodologies, and collaboratively design new performance-based memorial interventions centering around African culture.
The project included a series of monthly workshops starting in November 2021 and running through to summer 2022, culminating in dance-based memorials created by the project team which anyone will be able to view through an augmented reality app.
The project has three phases, though all three will work interdependently, feeding ideas and inspiration back and forth and into each other.
Phase One identified and researched sites of memory in relation to Bristol and transatlantic enslavement through historical and creative research methods.
These sites of memory, as identified by the project team will focus on places around the city that are associated with Bristol and enslavement.
They might be connected to specific historical events, be created through a layering of stories over time, be existing memorial sites which commemorate this history, sites of resistance, antislavery and challenge historically and now or be contested places of debate and tension or which jar with us in the present day, for example through sites which celebrate enslavers, where the project will seek to intervene with new creative memorialization.
Phase Two responded to and developed this research through collaborative work drawing on practice-led creative interventions with a focus on dance and movement.
This practice-led work will form both part of the research process into the deeper meaning of these sites and build towards the design of new memorial dance pieces, creating new performance-based memorials which draw on African diaspora dance culture to dialogue, counter and intervene in these sites.
Project members explored the significance of dance in relation to the history of enslavement, African-centred creative expression and dance as a medium of healing.
In this way the project aimed to collaboratively design a new folk dance for Bristol.
Phase Three bought this collaborative research together through the creation and sharing of memorial performances via an augmented reality app developed and Directed by The Cultural Assembly in collaboration with Digital Technologists, FENYCE.
The dance performances will be recorded against the sites identified and researched by project members and will be able to be viewed for free by anyone through a smartphone.
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