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Mir Muhammad Taqi Mir(February 1725 20 September 1810), also known asMir Taqi Miror"Meer Taqi Meer", was anUrdu poetof the 18th centuryMughal India, and one of the pioneers who gave shape to theUrdulanguage itself.
He was one of the principal poets of theDelhiSchool of the Urdughazaland is often remembered as one of the best poets of the Urdu language.
Histakhallus(pen name) was Mir.
He spent the latter part of his life in the court ofAsaf-ud-DaulahinLucknow.
The main source of information on Mir's life is his autobiographyZikr-e-Mir, which covers the period from his childhood to the beginning of his sojourn inLucknow.
However, it is said to conceal more than it reveals, with material that is undated or presented in no chronological sequence.
Therefore, many of the 'true details' of Mir's life remain a matter of speculation.
Mir was born inAgra, India (then calledAkbarabadand ruled by theMughals) in August or February 1723.
His grandfather had migrated fromHejaztoHyderabad State, then to Akbarabad or Agra.
His philosophy of life was formed primarily by his father, Mir Abdullah, a religious man with a large following, whose emphasis on the importance of love and the value of compassion remained with Mir throughout his life and imbued his poetry.
Mir's father died while the poet was in his teens.
Mir left Agra forDelhia few years after his father's death, to finish his education and also to find patrons who offered him financial support (Mir's many patrons and his relationship with them have been described by his translatorC.
M.
Naim).
Some scholars consider two of Mir'smasnavis(long narrative poems rhymed in couplets),Mu'amlat-e-ishq(The Stages of Love) andKhwab o Khyal-e Mir("Mir's Vision"), written in the first person, as inspired by Mir's own early love affairs,but it is by no means clear how autobiographical these accounts of a poet's passionate love affair and descent into madness are.
Especially, as Frances W.
Pritchett points out, the austere portrait of Mir from these masnavis must be juxtaposed against the picture drawn by Andalib Shadani, whose inquiry suggests a very different poet, given to unabashed eroticism in his verse.
Mir lived much of his life inMughalDelhi.Kuchha Chelan, in Old Delhi was his address at that time.
However, afterAhmad Shah Abdali's sack of Delhi each year starting 1748, he eventually moved to the court ofAsaf-ud-DaulahinLucknow, at the ruler's invitation.
Distressed to witness the plundering of his beloved Delhi, he gave vent to his feelings through some of his couplets.
Mir migrated to Lucknow in 1782 and stayed there for the remainder of his life.
Though he was given a kind welcome by Asaf-ud-Daulah, he found that he was considered old-fashioned by the courtiers of Lucknow (Mir, in turn, was contemptuous of the new Lucknow poetry, dismissing the poet Jur'at's work as merely 'kissing and cuddling').
Mir's relationships with his patron gradually grew strained, and he eventually severed his connections with the court.
In his last years Mir was very isolated.
His health failed, and the untimely deaths of his daughter, son and wife caused him great distress.
He died of apurgativeoverdose on Friday, 21 September 1810.The marker of his burial place was removed in modern times when railway tracks were built over his grave.
Ghalib and Zauq were contemporary rivals but both of them believed the superiority of Mir and also acknowledged Mir's superiority in their poetry.
Mir Muhammad Taqi Mir(February 1725 20 September 1810), also known asMir Taqi Miror"Meer Taqi Meer", was anUrdu poetof the 18th centuryMughal India, and one of the pioneers who gave shape to theUrdulanguage itself.
He was one of the principal poets of theDelhiSchool of the Urdughazaland is often remembered as one of the best poets of the Urdu language.
Histakhallus(pen name) was Mir.
He spent the latter part of his life in the court ofAsaf-ud-DaulahinLucknow.
The main source of information on Mir's life is his autobiographyZikr-e-Mir, which covers the period from his childhood to the beginning of his sojourn inLucknow.
However, it is said to conceal more than it reveals, with material that is undated or presented in no chronological sequence.
Therefore, many of the 'true details' of Mir's life remain a matter of speculation.
Mir was born inAgra, India (then calledAkbarabadand ruled by theMughals) in August or February 1723.
His grandfather had migrated fromHejaztoHyderabad State, then to Akbarabad or Agra.
His philosophy of life was formed primarily by his father, Mir Abdullah, a religious man with a large following, whose emphasis on the importance of love and the value of compassion remained with Mir throughout his life and imbued his poetry.
Mir's father died while the poet was in his teens.
Mir left Agra forDelhia few years after his father's death, to finish his education and also to find patrons who offered him financial support (Mir's many patrons and his relationship with them have been described by his translatorC.
M.
Naim).
Some scholars consider two of Mir'smasnavis(long narrative poems rhymed in couplets),Mu'amlat-e-ishq(The Stages of Love) andKhwab o Khyal-e Mir("Mir's Vision"), written in the first person, as inspired by Mir's own early love affairs,but it is by no means clear how autobiographical these accounts of a poet's passionate love affair and descent into madness are.
Especially, as Frances W.
Pritchett points out, the austere portrait of Mir from these masnavis must be juxtaposed against the picture drawn by Andalib Shadani, whose inquiry suggests a very different poet, given to unabashed eroticism in his verse.
Mir lived much of his life inMughalDelhi.Kuchha Chelan, in Old Delhi was his address at that time.
However, afterAhmad Shah Abdali's sack of Delhi each year starting 1748, he eventually moved to the court ofAsaf-ud-DaulahinLucknow, at the ruler's invitation.
Distressed to witness the plundering of his beloved Delhi, he gave vent to his feelings through some of his couplets.
Mir migrated to Lucknow in 1782 and stayed there for the remainder of his life.
Though he was given a kind welcome by Asaf-ud-Daulah, he found that he was considered old-fashioned by the courtiers of Lucknow (Mir, in turn, was contemptuous of the new Lucknow poetry, dismissing the poet Jur'at's work as merely 'kissing and cuddling').
Mir's relationships with his patron gradually grew strained, and he eventually severed his connections with the court.
In his last years Mir was very isolated.
His health failed, and the untimely deaths of his daughter, son and wife caused him great distress.
He died of apurgativeoverdose on Friday, 21 September 1810.The marker of his burial place was removed in modern times when railway tracks were built over his grave.
Ghalib and Zauq were contemporary rivals but both of them believed the superiority of Mir and also acknowledged Mir's superiority in their poetry.
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